Writers Wednesday: Crossing Genre Boundaries

 

It happens to the best of us.

Your story is coming along swimmingly, until suddenly it isn’t. You’ve just realized that thriller you’ve been working on is morphing into a cozy. Or perhaps your fantasy novel is skewing toward sci-fi. Is your dramatic tale of forbidden love devolving into light chick lit?

Don’t panic. WRITE.

Go back to your hook.

Summarize your story in one sentence. A string of popular genres doesn’t count. “It’s an epic mysterious science fiction fantasy about baby dragons.” If what you’ve written looks anything like that, it’s time to go back to the drawing board. While your story can successfully draw elements from multiple genres, or simply not fit well into a known sales market, you should be able to identify the core premise of your work.

For example, the hook for Westworld might read as follows: “An android living in a theme park struggles with her newfound ability to remember abuses by humans.” The story incorporates setting details from classic Westerns, but it originates from a science fiction writer.

Identify the problem.

Does what you’ve written match your hook? Reread your story in order to pinpoint where things started going off track. Was it the introduction of a new character? A character’s decision or action? A change of language or slip in point of view?

Once you’ve confirmed what caused the story to shift, you can examine it further. Why did you write that section to begin with? What were you trying to accomplish? How was this character or that event supposed to advance the storyline?

Try another perspective.

Perhaps you didn’t set out to write this kind of story. That doesn’t necessarily mean it’s a mistake. Play around with characters and scenes. Could the story be bette

r this way?

Make a command decision.

I ran into this earlier in the week, when I realized the story I’d been drafting was turning into a much lighter read and properly belonged in a different genre than originally anticipated. The problem turned out to be my protagonist. The character doesn’t work for the role I need to fill. So, I can either keep my protagonist as is and push forward with the lighter tone and a new genre, or I can make fundamental changes to the character. It’s my call, of course, but it’s one that I do have to make in order to progress.

Have you had to round up stray storylines?
Kate

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